Page 64 |
William Falconer's Dictionary of the Marine |
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Table of Contents
A ABACK to ADMIRAL of the fleet Vice-ADMIRAL to AFTER-SAILS AGENT-VICTUALLER to ALL'S WELL ALL bands high to ANCHOR To drag the ANCHORS to To fish the ANCHOR To sheer the ship to her ANCHOR to Top-ARMOUR To sheer the ship to her ANCHOR To shoe the ANCHOR To weigh the ANCHOR ANCHOR-ground AN-END APEEK APRON Naval ARCHITECTURE ARMED-SHIP Top-ARMOUR ASHORE to AUGER AWEIGH to AZIMUTH COMPASS Search Contact us |
Naval ARCHITECTURE (continued)The limits of our design will not admit of a minute description and enumeration of all the pieces of timber which enter into the construction of a ship, nor of a particular description of their assemblage and union; or the manner in which they reciprocally contribute to the solidity of those floating citadels. It nevertheless appears necessary to give a general idea of the use, figure, and station of the principal, pieces, to those who are entirely unacquainted with the subject. As our definitions will be greatly illustrated also by the proper figures, we have annexed to this article a plate which comprehends some of the most material draughts, as well as a representation of the principal pieces employed in naval architecture.It is usual among shipwrights to delineate three several. draughts. First, The whole length of the ship is represented according to a side view, perpendicular to the keel, and is termed the plane of elevation, or sheer-draught. Plate I. Second, The ship is exhibited according to an end view, and stripped of her planks,. so as to present the outlines of the principal timbers; and this is properly termed the plane of projection, or the vertical plane of the timbers, plate I. because it shews the projection of their frames, relatively to each other. Third, It is not sufficient to have the, vertical curves of the bottom in different places, for a distinct idea of the horizontal curves is also equally necessary and useful: this is obtained by means of water-lines, traced upon what is called the horizontal plane. In this draught, the curves of the transoms called the round-aft, is also marked, and sometimes the breadth and thickness of the timbers. The plane of elevation, plate I. determines the length and depth of the keel; the difference of the draughts of water; the length and projection, or rake, of the stem and stern-post; the position of the mid-ship frame upon the keel, together with that of the principal frames afore and abaft; the load-water line; the wales, the dimensions and situations of the gun-ports, the projection of the rails of the head and stern-gallery, with the stations of the masts and channels. This draught, however, conveys no idea of the vertical curve of the ribs or timbers; for as their projection will be only represented in a plane elevated upon the length of the keel, they will appear in this direction no otherwise than as straight lines. To perceive these curves accurately, they must be regarded in another point of view, which will represent their projection upon a vertical plan; supposed to cut the keel at right angles in the place where the ship is broadest. For as all ships are broader near the middle of their length than towards the extremities, it is evident that the timbers are more extended in proportion. The most capacious of these represents what is called the midship-frame; and upon the area of this frame is delineated the projection of all the others. Thus the plane of projection limits the different breadths of a ship in various points of her length, and exhibits the outline of the timbers respectively to each other, as they are erected upon the keel. Accordingly, this draught ought to present a variety of sections of the ship in different places of her length, and always perpendicular to the surface of the water;
© Derived from Thomas Cadell's new corrected edition, London: 1780, page 12, 2003 Prepared by Paul Turnbull http://southseas.nla.gov.au/refs/falc/0064.html |